Segunda-feira, 24 de Agosto de 2015

Nadir Afonso: Eros

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publicado por Laura Afonso às 13:02
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Quinta-feira, 29 de Janeiro de 2015

Centro de Artes Nadir Afonso em Boticas

No meio de milhares de candidaturas de todo o mundo, o Centro de Artes Nadir Afonso Centro Nadir Afonso no Município de Boticas foi seleccionado para finalista do prémio Archdaily Building of the Year Award 2015.

 

http://boty.archdaily.com/us/2015/candidates/78265/centro-de-artes-nadir-afonso-louise-braverman

© FG +SG Architectural Photography


publicado por Laura Afonso às 16:56
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Domingo, 27 de Julho de 2014

Centro de Artes Nadir Afonso em Boticas.


publicado por Laura Afonso às 08:17
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Quinta-feira, 3 de Abril de 2014

Centro de Artes Nadir Afonso em Boticas

http://passport.zhulong.com/user/login?redirecturl=http://photo.zhulong.com/proj/detail122202.html

 

  

                       

葡萄牙Nadir Afonso艺术中心

huangmin1017  发表于 2014-03-26 10:10   浏览:762  下载:7人次

原名称:Centro De Artes Nadir Afonso

设计单位:Louise Braverman

位置:葡萄牙  

分类:文化建筑

内容:实景照片

图片来源:FG +SG Architectural Photography

图片:26张

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标签:文化建筑实景照片

融合建筑与景观,Nadir Afonso艺术中心连接一个新兴的城市中心及其周围的田园。 1858平方米的单艺术家博物馆融合了清晰的时代性与丰富的物质性以及可持续性,主要是纪念葡萄牙人的骄傲——美术家Nadir Afonso。艺术中心位于一个陡峭的山坡上,分为两个不同但又互相连接的两部分,切口为两个部分提供了充足的光线,同时依山就势建筑为访问者提供了一个绿色屋顶公园。  
译者:筑龙网 Tina
Merging architecture and landscape, Centro de Artes Nadir Afonso links an emerging urban center with its pastoral environs. The1858-square-meter single artist museum fuses a light, lucid contemporaneity with the rich materiality and sustainability of Portuguese design to honor one of Portugal’s most beloved native sons, the artist Nadir Afonso. As well as paying homage to the artist, who formerly practiced architecture with Le Corbusier and Oscar Niemeyer, the Centro, along with the artist’s foundation in nearby Chaves, will serve as an engine driving economic, cultural, and community development in the region. Sliced into a steep hillside, the new art museum is divided into two distinct, but connected, parts:  a light-filled cultural center looking out upon the intersection of a national highway and City Hall; and, nestled in the back, a vast, below-grade exhibition space topped by a green-roof park.
In the double-height Entry Hall, a photomural of the artist and a continuous band of his sketches provide punches of bright color visible from the street. From here, the exhibition hall, outdoor café, children’s library and stairway to the auditorium beckon, as does the exterior auditorium that is designed to encourage informal civic engagement.
Embedded in the hillside below a sustainably planted green roof, the exhibition hall is the heart of the museum. Since the exhibition walls are shorter than the exterior walls, visitors can view the art against a background of the surface of the rustic stone of the recycled cyclopean retaining walls, creating a unique feeling of viewing art within a lavish grotto.  While encouraging the perception of an indoor/outdoor layering of space, the proximity of the walls to the interior both blocks degrading direct sunlight and allows indirect daylight to reduce the museum’s carbon footprint. The green roof park, designed in the spirit of Nadir Alonso’s geometric abstraction and in the tradition of Roberto Burle Marx, also naturally modulates internal temperature while offering aesthetic delight to the community.

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publicado por Laura Afonso às 00:05
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Terça-feira, 18 de Março de 2014

Centro de Artes Nadir Afonso de Boticas em destaque internacional.

http://www.domusweb.it/content/domusweb/en/architecture/2014/03/17/centro_de_artes_nadir_afonso_.html#fb

 

    

    
 

Centro Nadir Afonso

For the design of the new art centre Nadir Afonso in Boticas, Portugal, Louise Braverman sliced a steep hillside, creating a museum divided into two distinct, but connected, parts.

 

Architecture / Fernando Guerra

 
  • Photography

                    

 

                    

The municipality of Boticas, Portugal, will inaugurate the Centro de Artes Nadir Afonso in Spring 2014.

Designed by New York based architect Louise Braverman the museum fuses a light contemporaneity with the rich materiality and sustainability of Portuguese design to honor the artist Nadir Afonso (1920 – 2013).

  

Louise Braverman, Centro de Artes Nadir Afonso, Boticas, Portugal

As well as paying homage to the artist, the Centro is also intended to serve as an engine driving economic, cultural and community development in the small medieval village in northern Portugal, about 20 miles south of the Spanish border.

Braverman sliced into a steep hillside in downtown Boticas to create the new museum, which she divided into two distinct, but connected, parts:  a light-filled cultural center looking out upon the intersection of a national highway and City Hall; and, nestled in the back, a vast, below-grade exhibition space topped by a green-roof park. 

  

Louise Braverman, Centro de Artes Nadir Afonso, Boticas, Portugal

In the double-height entry hall, a photomural of the artist and a continuous band of his sketches provide punches of bright color visible from the street. From here, visitors enter the exhibition hall, outdoor café and children’s play area. Going up they may gaze into the curtain-walled entry hall or proceed in the direction of a large window on the façade balcony. To the left of the balcony  are an auditorium, a multipurpose library and offices.

The heart of the museum is the loft-like gallery devoted to a changing selection of works by Afonso from the Nadir Afonso Foundation. Like the exterior of the building, the interior white concrete perimeter walls of the exhibition space celebrate the stellar tradition of Portuguese concrete masonry construction. The double-height, white concrete wall and ceilinged space is embedded into the hillside and topped by a sustainably planted green roof park.

  

Louise Braverman, Centro de Artes Nadir Afonso, Boticas, Portugal

Since the museum’s interior exhibition walls are considerably shorter than the exterior walls, visitors will always be able to view the art against the layered background of a rustic stone surface. The closeness of the wall to the interior also blocks direct sunlight from entering the gallery and reduces the carbon footprint. Partial height, freestanding interior partitions encourage the perception of an indoor/outdoor layering of space.

Casual social interaction is encouraged at every step. Large glass windows on opposite sides of the exhibition hall allow visitors to glean glimpses of the art from the adjacent outdoor café and auditorium, while the green roof park, which has been designed in the spirit of Nadir Afonso’s colorful geometric patterns, is designed for play. The design of the concrete exterior auditorium adjacent to the site’s stepped path augments this informal civic engagement for it creates a venue for visitors to sit down and mingle.


publicado por Laura Afonso às 12:35
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Terça-feira, 26 de Novembro de 2013

Centro de Artes Nadir Afonso em Boticas: Fotos de Fernando Guerra

© Fernando Guerra


publicado por Laura Afonso às 12:25
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Quinta-feira, 10 de Outubro de 2013

Centro de Artes Nadir Afonso.

Um mimo colocado no youtube pela Isabel Rebelo.



publicado por Laura Afonso às 12:12
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Domingo, 8 de Setembro de 2013

Centro de Artes Nadir Afonso em Boticas - CANA


publicado por Laura Afonso às 08:23
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Segunda-feira, 2 de Setembro de 2013

Uma visita ao Centro de Artes Nadir Afonso em Boticas


publicado por Laura Afonso às 22:49
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