原名称:Centro De Artes Nadir Afonso
设计单位:Louise Braverman
位置:葡萄牙
分类:文化建筑
内容:实景照片
图片来源:FG +SG Architectural Photography
图片:26张
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标签:文化建筑实景照片
融合建筑与景观,Nadir Afonso艺术中心连接一个新兴的城市中心及其周围的田园。 1858平方米的单艺术家博物馆融合了清晰的时代性与丰富的物质性以及可持续性,主要是纪念葡萄牙人的骄傲——美术家Nadir Afonso。艺术中心位于一个陡峭的山坡上,分为两个不同但又互相连接的两部分,切口为两个部分提供了充足的光线,同时依山就势建筑为访问者提供了一个绿色屋顶公园。
译者:筑龙网 Tina
Merging architecture and landscape, Centro de Artes Nadir Afonso links an emerging urban center with its pastoral environs. The1858-square-meter single artist museum fuses a light, lucid contemporaneity with the rich materiality and sustainability of Portuguese design to honor one of Portugal’s most beloved native sons, the artist Nadir Afonso. As well as paying homage to the artist, who formerly practiced architecture with Le Corbusier and Oscar Niemeyer, the Centro, along with the artist’s foundation in nearby Chaves, will serve as an engine driving economic, cultural, and community development in the region. Sliced into a steep hillside, the new art museum is divided into two distinct, but connected, parts: a light-filled cultural center looking out upon the intersection of a national highway and City Hall; and, nestled in the back, a vast, below-grade exhibition space topped by a green-roof park.
In the double-height Entry Hall, a photomural of the artist and a continuous band of his sketches provide punches of bright color visible from the street. From here, the exhibition hall, outdoor café, children’s library and stairway to the auditorium beckon, as does the exterior auditorium that is designed to encourage informal civic engagement.
Embedded in the hillside below a sustainably planted green roof, the exhibition hall is the heart of the museum. Since the exhibition walls are shorter than the exterior walls, visitors can view the art against a background of the surface of the rustic stone of the recycled cyclopean retaining walls, creating a unique feeling of viewing art within a lavish grotto. While encouraging the perception of an indoor/outdoor layering of space, the proximity of the walls to the interior both blocks degrading direct sunlight and allows indirect daylight to reduce the museum’s carbon footprint. The green roof park, designed in the spirit of Nadir Alonso’s geometric abstraction and in the tradition of Roberto Burle Marx, also naturally modulates internal temperature while offering aesthetic delight to the community.
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